Avila, Incarnation, Jan. 19, 1572
St. Teresa’s vision of our Lady in the choir of the Incarnation
1. On the eve of the feast of St. Sebastian, the first year in which I was prioress at the Incarnation, at the beginning of the Salve Regina, I saw the Mother of God descend with a great multitude of angels and sit in the prioress’s choir stall where there was a statue of our Lady. In my opinion, I didn’t then see the statue but our Lady herself. It seemed to me she looked something like she does in the painting the countess gave me;  although the power to discern this was quickly taken away, for my faculties were soon held in great suspension. It seemed to me there were angels above the canopies of the stalls in the back and above the front stalls; although they were not in corporeal form, for this was an intellectual vision.
She remained for the whole of the Salve, and she told me: “You were indeed right in placing me here;  I shall be present in the praises they give my Son, and I shall offer these praises to Him.”
2. After this, I remained in the kind of prayer I now have, that of keeping my soul present with the Blessed Trinity. And it seemed to me that the Person of the Father drew me to Himself and spoke very pleasant words. Among them, while showing me what He wanted, He told me: “I gave you My Son, and the Holy Spirit, and this Blessed Virgin. What can you give Me?”
 She is speaking of a painting given her by the Countess of Osorno, Doña María de Velasco, a friend of hers who lived in Valladolid. The painting is still preserved at St. Joseph's of Avila.  When she took possession of her office as prioress of the Incarnation, October 14, 1571, she placed a statue of Our Lady of Clemency in the prioress's stall with the keys to the monastery in its hands. Spiritual Testimonies: 21 Her vision of our Lady in the choir of the Incarnation Copyright © 1976 by Washington Province of Discalced Carmelite Friars, Inc.